When we read poetry, we are often made aware of those
positive qualities of human existence that everyone appreciates, such as happiness
and joy, beauty, generosity, love, hope, gratitude, and forgiveness. Not that
poetry doesn’t address such things as grief, tragedy, crisis, and loss. It
does, of course, since all these are also part of being human. Often, however, when
a poem does call up negative emotions and experiences, it can still be
affirmative. The first two stanzas of “This Being Human is a Guest House,” by
the ancient Persian poet Rumi (translated by Coleman Barks), are an example of
what I mean:
This being human is a guest house
Every morning new arrival
A joy, a depression, a meanness
Comes as an unexpected visitor
Welcome and entertain them all!
Even if they're a crowd of sorrows
Who violently sweep your house
Empty of its furniture
Still treat each guest honorably
He may be cleaning you out
For some new delight!
Every morning new arrival
A joy, a depression, a meanness
Comes as an unexpected visitor
Welcome and entertain them all!
Even if they're a crowd of sorrows
Who violently sweep your house
Empty of its furniture
Still treat each guest honorably
He may be cleaning you out
For some new delight!
Rumi
ends his poem by saying that we should “Be grateful for whoever
comes/Because
each has been sent/As a guide from the beyond.”
I
like to think that Rumi has some wise advice for us in his poem.
My
main point in this article is that the most memorable poems, and lines from
poems, are ones that tend to affirm life, to say yes to life.
It
shouldn’t be surprising that when big national disasters take place, poetry flourishes.
We saw this just after 9-11, and after the death of Diana, who had been married
to Prince Philip. Thousands of poems were written, collections of 9-11 poems
appeared, and in the case of Diana’s death, thousands of flowers with notes and
poems attached to them were placed on the huge lawn outside Diana’s home. Trouble
and catastrophe tend to cause people to respond with words that can be helpful,
both to those who suffer and to those who wrote the words. When we are in the
presence of suffering, we often feel the power of our connection with
others.
Consider
the following lines, which I have for this article deliberately recalled from
memory without looking them up in books. What I’ve found with this enumeration
of lines is that my memory has a very strong bias toward positive, affirmative
lines rather than ones with negative connotations or denotations. I’m personally
glad this is so, since it seems to be evidence that I’m more optimistic than I sometimes
assume! You might want to try this yourself and see what happens. Just let
favorite lines from poems (and even songs) occur to you, and write them down. I
would guess, based on my example, that they too would be mostly positive and
upbeat. And if my little experiment is valid, doesn’t that say something about
the usefulness—even the necessity—of
poetry? I think it does. I also think that many of the readers of my blog will already
know by heart some of the lines I quote here (Note: some of the line breaks may
not have been accurately remembered):
Put
your arms around me like a ring around the sun.
Give
me the splendid, silent sun . . .
Oh
beautiful for spacious skies . . . (song)
When
to the sessions of sweet, silent thought,
I
summon up remembrance of things past . . .
I
believe a leaf of grass is no less
than
the journey work of the stars . . .
I
celebrate myself and sing myself,
and
what I shall assume you shall assume,
for
every atom belonging to me as good belongs to you.
Ah,
love, let us be true to one another . . .
I
will arise and go now, and go to Innisfree,
and
a small cabin build there . . .
You
are so beautiful . . . to me (song). . .
But
thy eternal summer shall not fade . . .
That’s
the way (that’s the way)
I
like it (I like it) . . . (song)
Fair
and fair and twice so fair,
And
fair is any may be,
The
fairest shepherd on the green,
A
love for any lady.
I
shake my white locks at the runaway sun . . .
Springtime
is my time, is your time, is our time,
for
springtime is love time, and viva sweet love.
In
a dark time, the eye begins to see.
I
love you all day. It is that simple.
Jenny
kissed me when we met,
jumping
from the chair she sat in . . .
How
do I love thee? Let me count the ways . . .
Earth
has not anything to show more fair . . .
We
die, and rise the same, and prove
Mysterious
by this love . . .
And
death shall have no dominion . . .
Your
eyelashes are a narcotic.
How
shall we praise the magnificence of the dead?
And
the Sabbath rang slowly in the pebbles of the holy stream . . .
The
mind is an enchanting thing,
is
an enchanted thing . . .
I
measure time by how a body sways.
Be
with me, early and late.
I
will study wry music for your sake.
You
are my sunshine, my only sunshine,
you
make me happy when skies are grey.
(song)
The
bird is on the wing.
Drink
to the bird.
And
therefore, while youthful hue
sits
on thy skin like morning dew . . .
There
will be an answer,
let
it be . . . (Beatles’ song)
An
aged man is but a paltry thing,
unless
soul clap its hands and sing,
and
sing for every tatter is his mortal dress . . .
Drink
to me only with thine eyes.
Smile,
though your heart is aching,
smile,
even though it’s breaking (song)
Here
are a few more ending lines of poems from memory (there are some above too):
Look
for me under your boot soles.
I
stop somewhere, waiting for you.
Lord
let me die, but not die
Out.
I
must lie down where all the ladders start,
In
the foul, rag-and-bone shop of the heart.
I
move at the heart of the world.
As
you from crimes would pardon’d be,
let
your indulgence set me free.
The
wives, the beautiful wives,
are
with their men.
And
miles to go before I sleep,
and
miles to go before I sleep.
Rage,
rage against the dying of the light.
We
are such stuff as dreams are made on,
and
our little life is rounded with a sleep.
Never
again would birdsong be the same,
and
to do that to birds is why she came.
Affirmation. Optimism. Gratitude. Hope. Love. Courage.
Kindness. All these feelings and thoughts make us feel worthwhile as persons
whenever we experience them in our everyday lives—as well as in poems. Nothing
makes me feel better as a poet than to have someone say that they appreciated a
poem I wrote, or that the poem affected them in a good way. I’m sure this is
true of any poet.
Robert Frost once called a poetry “a momentary stay
against confusion.” I agree, but I also believe that within that “momentary
stay,” poetry has the power to show us how to live. Think of those poems and lines
of poems that you have carried in your mind for years, perhaps decades. How
have they influenced your life? Have they been useful to you? Have they been,
in fact, downright indispensible at times? Would your life be the same now without
them?
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